by Jim Denney
I used to write slowly. And badly.
In 1989, I quit my day job, took a leap of faith, and became a full-time, self-employed writer. That same year, I contracted to write a nonfiction book for Multnomah Press, then an independent publishing house in Oregon (now an imprint of Random House).
The advance would cover three months of living expenses, so I scheduled three months to write the 80,000-word manuscript. Unfortunately, it took me four months to write the book. I was writing slowly and losing money.
But it gets worse.
In those early days of my writing career, cash flow was an acute problem. I desperately needed the second half of my advance. I sent the manuscript to my editor, hoping he would accept it quickly and cut me a check.
No such luck. Instead, the editor called me and said, “Jim, we’ve got a problem.”
My heart plummeted. “How big a problem?”
“I’m flying out to meet with you in person. I’m afraid this book needs a major overhaul.”
Not only would my check be held up, but I’d be spending additional weeks getting the manuscript into publishable shape.
The editor arrived for our all-day meeting. He had prepared flip-charts showing the existing chapter flow, the strengths and weaknesses of the manuscript, and a proposed restructuring plan. As we talked, I had to agree: His version was much better.
It was a painful learning experience. I trashed about a third of the original manuscript, rearranged the rest, and wrote two new chapters. The rewrite took a full month to complete, but when I turned in the revised manuscript, the editor told me I’d nailed it. As a personal favor, he made sure my check was issued promptly.
In the end, I had spent five months of my life on that book. I couldn’t afford to let that happen again. In fact, I seriously considered hanging up my word processor and finding honest work.
Over the next few years, I gradually improved my writing skills. I never turned in another manuscript that needed a complete tear-down and restructuring, but I was still writing far too slowly and I struggled to make ends meet.
Then, in 2001, I had an experience that transformed me as a writer: I discovered my superpower as a writer.
I contracted with a publisher to write a series of adventure novels for young readers. The contract specified an insanely short deadline plus a $100-per-day penalty for late delivery. In the process of writing those books — and delivering them on-time — I discovered a brand-new approach to writing that has served me well ever since.
Later, I discovered that the writers I admire most — Ray Bradbury, Stephen King, Ursula Le Guin, Michael Moorcock, Greg Benford, Orson Scott Card — were already using this approach. They had discovered their own superpower. They had learned the secret of writing quickly, writing freely, and writing brilliantly. Let me tell you how my own writing life has been transformed by this discovery.
A few years ago, I wrote a nonfiction book for an independent publishing house. I started work on Friday, September 2, 2016. I completed the first draft on Monday, October 3, thirty-one days later (averaging more than 2,500 words per day). I spent less than a week on my second draft, and sent the final manuscript to my editor on Monday, October 10. The final manuscript was about 73,000 words long, and was completed in thirty-eight days.
My editor read it, and said it was the best of three recent books I had written for her. She was sending it straight to copy-editing — no revisions needed. You see? By writing faster, I learned to write better.
The ability to write in overdrive can be your superpower. To learn more about how you can write faster, write freely, and write more brilliantly than ever before, I invite you to read Writing in Overdrive, a thorough exploration of the skills and insights you need to write more brilliantly than ever before. Read Writing in Overdrive: Write Faster, Write Freely, Write Brilliantly by Jim Denney.
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