Category: Writing Science Fiction and Fantasy

A Friend I’ve Never Met

by Jim Denney, author of Your Writing Mentor C. S. Lewis

A few years ago, I was reading an autobiographical book by J. B. Phillips called Ring of Truth. In that book, Phillips recounted a startling conversation between himself and C. S. Lewis, the author of The Chronicles of Narnia. What makes this conversation so remarkable is that Phillips claimed it took place after Lewis’s death.

Ring of Truth by J. B. Phillips

Phillips began his account of this strange conversation by stating that he was skeptical of all paranormal claims, adding that he was “as unsuperstitious as they come.”[i] Phillips went on to say:

A few days after [Lewis’s] death, while I was watching television, he “appeared” sitting in a chair within a few feet of me, and spoke a few words which were particularly relevant to the difficult circumstances through which I was passing. He was ruddier in complexion than ever, grinning all over his face and, as the old-fashioned saying has it, positively glowing with health. The interesting thing to me was that I had not been thinking about him at all. I was neither alarmed nor surprised. . . .

 A week later, this time when I was in bed reading before going to sleep, he appeared again, even more rosily radiant than before, and [he] repeated the same message, which was very important to me at the time.[ii]

In Ring of Truth, Phillips did not elaborate on the matter that was troubling him. But he later related this incident to London journalist Dennis Bardens. Phillips told Bardens he had been dreading the process of dying. It seems that Lewis wanted Phillips to know that, as a Christian, he had nothing to fear from death or even the passage through death.[iii] Lewis’s message to Phillips: “It’s not as hard as you think, you know.”[iv]

I can’t say whether Lewis appeared to J. B. Phillips as a spirit, a hallucination, or a dream. But I trust Phillips’s truthfulness. I’m convinced that he gave an accurate account of his perception of these encounters with Lewis.

This account by J. B. Phillips makes me wish that I, too, could have a personal encounter with C. S. Lewis. I would like to be mentored by Lewis the thinker, Lewis the man of reason and faith, and Lewis the writer. I would like to take my questions to him, spread them out before him, and hear him say, “It’s not as hard as you think, you know.”

Adapted from a photo by The Glucksman Library at the University of Limerick, Ireland. Public domain.

Out of a desire to hear C. S. Lewis speak to me and mentor me, I wrote a book called Your Writing Mentor C.S. Lewis.

Lewis never wrote a book on writing, yet he did describe his creative process in a number of speeches, essays, and letters to is fans. He has left us a treasury of writing wisdom. I have spent countless hours combing through his writings and the many books and articles written about him. Out of that research I’ve distilled his writerly insights and habits into this new book, Your Writing Mentor C.S. Lewis. In the process of researching and writing the book, I feel I’ve heard him teaching and mentoring me.

C. S. Lewis wrote at least twenty-two nonfiction books, fourteen novels, two science fiction short stories, several collections of essays, and enough letters to fill multiple volumes. He produced all of this literature and these letters while maintaining a full-time career as a professor of English literature, first at Oxford University (Magdalen College, 1925-1954), then at Cambridge University (Magdalene College, 1954-1963). The key to Lewis’s amazing literary output is that he was a “writer in overdrive.” That is, he wrote with amazing speed in a state of unconscious creative flow. In the process, he wrote intuitively and brilliantly.

J. R. R. Tolkien, author of The Hobbit and The Lord of the Rings, once called his friend C. S. Lewis a man of “great generosity and capacity for friendship,” adding:

The unpayable debt that I owe to him was not “influence” as it is ordinarily understood, but sheer encouragement. He was for long my only audience. Only from him did I ever get the idea that my “stuff” could be more than a private hobby. But for his interest and unceasing eagerness for more, I should never have brought The L. of the R. to a conclusion.[v]

It’s true. Tolkien began showing Lewis passages of his sprawling myth of Middle Earth early in their friendship. For years, Lewis was Tolkien’s sole encourager, the only person helping to motivate Tolkien to push his epic tale to completion. If not for Lewis, the world might never have heard of The Lord of the Rings.

On April 15, 1918, the world nearly lost C. S. Lewis. On that day, nineteen-year-old Second Lieutenant Clive Staples Lewis of the Somerset Light Infantry took part in an assault on German positions in the French village of Riez du Vinage. An artillery shell exploded near Lewis, killing one of his close friends and nearly killing Lewis. He carried shrapnel from that shell in his chest for the rest of his life. Had Lewis died that day, there would have been no Screwtape Letters, no Space Trilogy, no Chronicles of Narnia—and probably no Lord of the Rings.

Imagine a world without the writings of C. S. Lewis and J. R. R. Tolkien. Now imagine a world without your ideas, your insights, your stories. The world needs your vision, insight, and imagination. That’s why I wrote Your Writing Mentor C.S. Lewis. My goal in that book is to energize you with the same principles that empowered Lewis and urged Tolkien onward. Here’s the Table of Contents from the book:

1. C. S. Lewis, Writer in Overdrive
On Lewis’s amazing ability to write quickly and brilliantly.

2. A Childlike Approach to Writing
How to shed the inhibitions and self-defeating habits that hold us back.

3. Keeping Up with Lewis
A step-by-step explanation of how to get into “flow” so we can write quickly and freely “in overdrive”—as Lewis did.

4. Why We Write
An examination of Lewis’s motivation for writing—and developing our own sense of mission as writers.

5. The Discipline of Writing
How to write consistently and productively every day, as Lewis did.

6. The Craft of Writing
How to write effectively and brilliantly, as Lewis did.

7. Escapism, Art, or Allegory?
Should we write merely to entertain—or should we strive for higher art and deeper meaning?

8. Writing for Children
Lewis’s insights into the special needs of young readers.

9. Other Worlds, Other Realities
Writing fantasy and science fiction.

10. Five Thousand Words or Less
The special rules (which Lewis exemplified) for writing short stories.

In my study of C. S. Lewis, I discovered that he wrote with amazing speed in a state of creative flow. This book will show you how you can write quickly, freely, and brilliantly as Lewis did. So let me introduce you to this wonderful friend I’ve never met—my writing mentor, and yours, C. S. Lewis.


[i] J. B. Phillips, Ring of Truth: A Translator’s Testimony (London: Hodder and Stoughton, 1967), 88.

[ii] J. B. Phillips, Ring of Truth, 89-90.

[iii] Dennis Bardens, Mysterious Worlds (New York: W. H. Allen, 1970), 126.

[iv] Marie A. Conn, C. S. Lewis and Human Suffering: Light Among the Shadows (Mahwah, NJ: Paulist Press, 2008), 1.

[v] Humphrey Carpenter, ed., The Letters of J. R. R. Tolkien (New York: Houghton Mifflin Harcourt, 2000), 362.

An Excerpt From YOUR WRITING MENTOR C.S. LEWIS

An excerpt from Chapter 1 of Your Writing Mentor C. S. Lewis:

In the summer of 1932, C. S. Lewis astonished himself.

It had been a busy and stressful year, with a heavy schedule of lecturing, tutoring, and student examinations. Yet Lewis had a book inside him that desperately wanted out—an allegory of his 1931 conversion to the Christian faith. As he told his boyhood friend Arthur Greeves in a July 1932 letter, he hadn’t had time to read a book during the past eighteen-week term, much less write one.

In August, Lewis took a cross-channel boat to Ireland for a two-week visit with Greeves. He arrived at the Greeves family home in Belfast on August 15, and stayed until August 29. He hadn’t planned to write during his visit with Greeves, but somehow, amid the afternoon walks and late-night conversations with his closest friend, something wonderful happened:

Lewis wrote a book.

When he boarded the boat to return to England, he had in his luggage a nearly-complete handwritten draft of what would be his first published novel, The Pilgrim’s Regress. It totaled more than 60,000 words. During those two weeks, he had averaged about 4,300 words per day.

In the fall of 1932, Lewis made revisions and edits. His brother Warren, recently retired from the army, typed up the revised manuscript with a carbon copy. Lewis mailed a copy of The Pilgrim’s Regress to Arthur Greeves, who read it and sent back a list of suggestions. By late January 1933, J. M. Dent & Sons of London, publisher of the Everyman’s Library series, accepted The Pilgrim’s Regress for publication. Upon its release later that year, literary critic Bertrand L. Conway (Catholic World) called it “a caustic, devastating critique of modern philosophy, religion, politics, and art.”

Though it is not Lewis’s best-known or best-loved book, The Pilgrim’s Regress has endured and is widely considered a classic work of philosophical fiction. It’s all the more remarkable that Lewis composed the book in a mere two weeks.

[This excerpt is from Chapter 1: C. S. Lewis, Writer in Overdrive]

To discover how Lewis learned to write quickly—and how you can write quickly and brilliantly as he did—read Your Writing Mentor C. S. Lewis, available now in trade paperback on Amazon.

Images: Bronze sculptures of Aslan (top) and Tumnus the Faun (right) at C. S. Lewis Square in Belfast, a public space commemorating Belfast-born author C. S. Lewis and his creations from the first Narnia novel, The Lion, the Witch and the Wardrobe. Photos by K. Mitch Hodge on Unsplash.

Jim Denney’s Advice for Young Writers

Battle Before Time Ebook CoverI knew I wanted to be a writer when I was about nine years old. How about you? Do you have stories to tell? Would you like to spend your days thinking up adventures and writing them down, like I do? Excellent! Writing is a lot of fun. If you’d like to be a writer, too, then I have some ideas that may help you reach your goals.

Tip #1: Write About What You Really Care About

I’ve heard people say, “Write what you know.” Well, I say, “Write what you really care about.”

The problem with “Write what you know” is that there are a lot of things that are fun to write about that nobody has ever done. For example, my Timebenders books are about time travel—but I’ve never traveled in time. I’ve never been scared out of my socks by a Tyrannosaurus rex. I’ve never been to an old English castle. I’ve never gone to the future and been chased by robots. If I could only write what I know from my own experience, I couldn’t have written Timebenders.

If you write a story about a different time or place, you may need to do some research. For example, if you want to write a story about the American Civil War, you’ll need to read books on American history in the 1860s. One of the most famous novels ever written about the Civil War is The Red Badge of Courage by Stephen Crane. Yet Stephen Crane was never a soldier and was never in the Civil War. He didn’t write what he knew; he did research. And he did his research so well that his book convinced many people that he had actually been a soldier in the war.

So write whatever you really want to write about, whatever you think would make an interesting story, whatever you really care and feel intensely about. Write about the things you love, the things that make you angry, or the things that make you afraid. 

Doorway to Doom Ebook CoverTip #2: Read.

A writer is a reader first of all, so read every day. And when you read, don’t just read your favorite kind of book. Read all kinds of books. Whether you like scary books or fantasy or adventure stories or romance, you should read other kinds of books as well. Read fiction and nonfiction. Read books about the lives of famous people. Read books about science, history, literature, and art. Read poetry. Read the Bible. If you want to be a good writer, become a well-rounded reader.

Tip #3: Write All the Time.

Some people only like to write when they feel “inspired.” But I’ve found that the best way to be inspired is to sit down and start writing—even when I don’t feel like writing. I write every day, and I don’t always feel “inspired” when I begin. But soon after I start writing, ideas and sentences start to flow. I start having fun. And I keep writing for an hour, two hours, or three hours at a stretch.

Keep a journal or diary. Write down observations about interesting events and interesting people. Write down things that happen to you. Write about things that make you feel happy, angry, scared, sad, or embarrassed. Someday, you may use those observations as bits and pieces of a story or book.

When you write, remember it’s okay to imitate writers you admire. I don’t mean you should “steal” story ideas or actual sentences from other writers. But study your favorite writers and see how they create characters, how they write believable dialogue, how they create realistic settings and descriptions, and how they use metaphors to create word pictures in the reader’s mind. It’s okay to study and imitate other writers—that’s how we learn. Over time, you’ll develop your own style and a writing “voice” that is uniquely your own.

Invasion of Time Troopers Ebook CoverTip #4: Relax and Daydream

My best ideas come when I am relaxed, not when I’m super-concentrating. If you concentrate real hard and tell yourself, “Think. Think. Come up with an idea.,” your imagination will freeze up. But when you relax, you loosen up your mind, you let your thoughts drift, and ideas start to flow.

Here are some relaxation ideas: Step away from your desk or computer for a moment, lie down on the couch or your bed, and just daydream about your story. You can listen to music, but keep the TV, phone, and video games turned off.  Take a walk, get some exercise, or do some yardwork—sweeping the patio or raking the leaves in the yard.

As you let your thoughts drift, daydream about the characters in your story. What do they look like? What are their personalities like? How are your characters different from each other? Why do they like or dislike each other? What makes them get mad at each other? What common goals do they have to unite them? Are your characters messy or neat? Are they lazy or hard-working? Are they kind or are they mean? How do they talk? How can you give each character a unique-sounding voice?

Daydream about your setting. How can you describe the setting of your story and make it feel real? Let’s say your story takes place in a garden. As you daydream, ask yourself: What grows in this garden? What plants and flowers do you see? What are the unique smells and sounds in this garden? What kinds of insects and birds do you see and hear in this garden? Help your reader see, smell, and hear the garden. Get inside the skin of your characters and feel what they feel. Let the reader feel it, too: The warm, golden sunshine on a character’s face, or the fragrance of orange blossoms on the breeze. Help your reader to be there, right alongside your characters.

Daydream about your plot. Ask yourself: How can I start the story in an exciting way? What unexpected thing can I do to surprise the reader? What can I do at the end of the chapter to make the reader want to turn the page and keep reading? How can I keep the reader asking, “What happens next?”

CydoniaEbookCoverSizedForKindleTip #5: Don’t Try to be Perfect.

Don’t try to be perfect when you write. Tell yourself, “It’s okay to write badly. The important thing is to just write.” Get the words down, even if you’re not sure of the spelling, even if you think it’s the worst piece of writing anyone has ever done. That’s okay. Just write. Jodi Picoult, who has written bestselling novels and Wonder Woman comic books, said, “You might not write well every day, but you can always edit a bad page. You can’t edit a blank page.”

I make my living writing books—yet I write badly all the time. And that’s okay. It doesn’t bother me one bit to write badly. You know why? Because it’s just a first draft. First drafts are supposed to be bad. That’s why they call them “first drafts.” I don’t worry about a bad first draft, because I know I’m going to do a second draft, and a third draft, and by the time my third draft is done, it’s going to be a very good piece of writing.

When you write your first draft, write it as fast as you can. Don’t criticize it. Don’t go back over the sentence you just wrote and keep fiddling with it. Write one sentence and move quickly to the next sentence, and keep going, going, going, without looking back. The faster you write, the better you write. When you write quickly, you write with the creative side of your brain; when you write slowly and try to make it perfect, you write with the critical side of your brain.

The best writing is done by the creative side of your brain, because that is writing that flows, that soars, that inspires. Then, after you create your first draft, you let the critical side of your brain go over it, tidy it up, and make it sparkle. Both sides of your brain are important, but when you do your first draft, write it quickly, write it creatively. Don’t let the critical side of your brain interrupt your creative flow.

Tip #6: Welcome Criticism

Never fear criticism. I always have people criticize my books before they’re published, because I want my books to be as good as they can be. If there are mistakes or boring places or dumb ideas in my books, I hope someone helps me catch them before the book is printed.

Remember that writing is a matter of taste—and what one person finds interesting, another person will find dull. So don’t expect to please everybody, and don’t be surprised if you get conflicting advice from different people. That’s okay. Listen to the criticism and see if it makes sense to you. If the advice makes sense, follow it. If the advice doesn’t ring true, ignore it and write it the way it seems best to you.

Show your writing to your friends and teachers. Start a writing club and share your stories with each other. Criticize each other’s stories—not in a mean or hurtful way, but in a helpful way: “I think this dialogue could be improved if you did such and such,” or, “What if your character decided to do this instead of that?” Encourage each other and help each other to do your finest work.

Above all, keep writing!

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The four Timebenders books have just been revised, updated, and re-released. Order Timebenders No. 1: Battle Before Time from Amazon.com today.