Tag: Ursula LeGuin

Write Better. Write Faster. Be Unconscious

“Every day I try to be in communication with the universe in an unconscious way.” 
—Paulo Coelho

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John Steinbeck, 1963

Writing faster and writing better is not a matter of techniques or shortcuts or writing secrets. Sure, there are a few tricks you can learn that will increase your writing speed at the margins: You can eliminate time-wasting habits, use voice dictation software instead of typing, and so forth. I talk about these tricks in my books, and they can help you become a faster writer. But these tricks won’t make you more a more brilliant writer.

There’s only one writing insight you can learn that will make you a faster and more brilliant writer: You must learn to write unconsciously

In other words, you must learn to write in flow or in the zone. Great writing does not involve thinking. Great writing comes from a deeper part of us than the conscious intellect. It comes from the unconscious mind.

John Steinbeck, in a 1962 letter to an aspiring writer, said, “Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down.” Steinbeck warned the young writer not to stop and edit or rewrite while in the creative process. “Rewrite in process,” he said, “is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.”

When you are first drafting (or “fast drafting,” as I prefer to call it), always move forward, never look back. By writing freely and quickly and without inhibitions, you tap into the writer’s most powerful engine of imagination, the unconscious mind.

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Ursula LeGuin, 2008. Photo: Gorthian

Ursula K. Le Guin has described her writing process as “a pure trance state. … All I seek when writing is to allow my unconscious mind to control the course of the story, using rational thought only to reality check when revising.”

In Becoming a Writer, Dorothea Brande talks about a creative faculty we all possess, though few of us are aware of it — ”The higher imagination, you may call it; your own endowment of genius, great or small; the creative aspect of your mind, which is lodged almost entirely in the unconscious.”

Brande underscores the fact that this faculty is the UN-conscious mind, not the SUB-conscious mind, because “sub-” suggests that which is low and inferior. Far from being inferior to the conscious mind, Brande says, the unconscious “has a reach as far above our average intellect as it has depths below. . . . The unconscious must be trusted to bring you aid from a higher level than that on which you ordinarily function.” In fact, she says, “the root of genius is in the unconscious, not the conscious, mind.”

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One of Dorothea Brande’s most famous disciples, Ray Bradbury, often said that conscious thought is poisonous to the creative process, and that true creativity springs from the unconscious mind. In a 1975 speech, he said, “I have had a sign by my typewriter for the better part of twenty years, now, which says, ‘Don’t think.’ I hate all those signs that say ‘Think.’ That’s the enemy of creativity. . . . Intellect can help correct. But emotion, first, surprises creativity out in the open where it can be pinned down!”

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Ray Bradbury receiving the Commander of Ordre des Arts et des Lettres, 2009. Photo: Caleb Sconosciuto.

What is the unconscious mind? Where in the brain is it located? Is it in the right brain or the murky region of the limbic system? Is the unconscious, creative mind the result of the synergistic functioning of many regions of the brain working together? Or does the function of the unconscious mind extend beyond the boundaries of the brain? Is it a creative activity of the immortal human spirit — a human reflection of the creativity of God?

I don’t know. No one knows. The term unconscious mind is a convenient label for a phenomenon we can’t explain. We don’t need to know where the unconscious mind is located or how it works, but I can tell you this from my own personal experience:

The unconscious mind is the key to unlocking our incredible creative powers.

 

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Discover the uninhibited creative power to write faster and more brilliantly than ever before. Read Writing in Overdrive: Write Faster, Write Freely, Write Brilliantly by Jim Denney, Kindle edition $3.99. [Trade paperback edition $7.75]

MuseOfFire-Medium350x550And for a 90-day supply of inspirational and motivational writing insight, read Muse of Fire: 90 Days of Inspiration for Writers by Jim Denney, Kindle edition $2.99. [Trade paperback edition $14.95]

Discover how to conquer the eight most common writing fears. Read cover-1writefearlesslyjdWrite Fearlessly! Conquer Fear, Eliminate Self-Doubt, Write with Confidence by Jim Denney, Kindle edition $3.99. [Trade paperback edition $7.99.]

These books are designed to motivate you, get you writing with confidence and enthusiasm, and propel you toward your goals and dreams.

 

Collaborating with the Unconscious Mind

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by Jim Denney

In Creating Short Fiction, science fiction writer-editor Damon Knight describes how to get your analytical Conscious Mind to work in sync with your creative Unconscious Mind (which I call “the Muse,” and which Knight calls “Fred”):


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Your mind comes in two parts, the conscious part and the other one. . . . I prefer to call it “Fred.” . . .

When you think about a creative problem, or even when you think something as simple as “I wish I had an idea for a story,” you are sending a message to Fred. . . . Fred will respond to your ideas pretty much the way you respond to the ideas you get from him: either a kind of dull, empty feeling, which means “No,” or else an excitement, an electric tingle, that means “Yes, yes!” . . .

To be productive, Fred needs a lot of stimulating input—odd facts or fancies to knock together, insights, specimens, interesting data of all kinds. . . . Critics talk about “the well of inspiration,” and they say that the well sometimes runs dry. What this means, in my opinion, is either that the author is feeling the lack of stimulating input, or that she has not given Fred time enough to think about the problem. Trying to force this process is a mistake. . . .

Sleep is good because it makes the conscious mind shut up and gives Fred a chance to think. Drop an unsolved or half-solved problem in before bedtime; in the morning, chances are, you will see it in a different light.1


Ursula K. Le Guin has a similar view of the Conscious-Unconscious collaborative process. “All I seek when writing,” she said, “is to allow my Unconscious Mind to control the course of the story, using rational thought only to reality check when revising.”

In Becoming a Writer, Dorothea Brande talks about an ability we all have, though few of us realize it: “The higher imagination, you may call it; your own endowment of genius, great or small; the creative aspect of your mind, which is lodged almost entirely in the Unconscious.” Our goal as writers is to harmonize both regions of our being—the Conscious and the Unconscious—in a productive and creative collaboration.

We tend to think of Damon Knight’s “Fred,” the Unconscious Mind, as a nebulous, irrational part of us, hidden and submerged somewhere underneath our real personality. But the Unconscious is, in many ways, actually more powerful than the Conscious Mind, especially when it comes to the creative process, the writing process. The Unconscious is wild, uninhibited, and exuberant, so it is the Unconscious that breathes life, energy, and emotion into our work.

Once we learn to marry the raw creative power of the Unconscious to the critical, analytical reasoning of the Conscious, our best work will come blazing forth, white-hot with energy, ready to dazzle editors, reviewers, and readers alike. That is the kind of uninhibited creativity that drives great fiction — and great fiction-writing careers.

  1. Damon Knight, Creating Short Fiction, Third Edition (New York: St. Martin’s, 1997), 23-26.

For more insight into how to tap into the uninhibited creative power of the Unconscious Mind, read Writing in Overdrive: Write Faster, Write Freely, Write Brilliantly by Jim Denney [Kindle Edition available at Amazon.com for $3.99] [Print edition available at Amazon.com for $7.75]

Jim Denney has written more than 100 books for a variety of publishers. He’s the author of the four-book Timebenders science fantasy series for young readers, and is a member of Science Fiction and Fantasy Writers of America (SFWA).